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坐在于洋那陈设简朴的家中,翻看他的剧照,一张一张,像一部活生生的历史,记载了他从影近五十年的历史和脚步:四十年代的《留下他打老蒋》、《桥》、《中华女儿》;五十年代的《卫国保家》、《英雄虎胆》、《水上春秋》、《青春之歌》;六十年代的《暴风骤雨》、《大浪淘沙》;七十年代的《火红的年代》、《第二个春天》;八十年代的《戴手铐的旅客》;九十年代的《大海风》等等,从工人、农民、知识分子、运动员到陆海空三军,于洋塑造了40多个角色,而且都是革命者,在银幕上留下了一条光辉的足迹,他那英勇、刚毅、豪放、宽厚、富于激情的形象,他那一往无前的精神、坚韧不拔的信念,无坚不摧的斗志,曾经感染和鼓舞了几代人。记得在“文革”刚结束那电影匮乏的年月, 是于洋和许多“于洋”们的电影,像甘露、清泉,滋润了大众几乎枯萎的心。遗憾的是,这种富于人格塑造
Sitting in the simple home furnishings that Yangna, look at his stills, one by one, like a living history, recorded his history and footsteps from nearly fifty years of film: the forties left “ Chiang Kai-shek ”,“ Bridge ”and“ Chinese Daughter ”; in the 1950s,“ Weiguo Baojia ”,“ Heroes and Cats ”,“ Spring and Autumn on Water ”,“ Song of Youth ”;“ Stormy ” In the seventies, “The Era of Redness” and “The Second Spring”; “Handcuffed Travelers” in the 1980s; “The Great Sea Wind” of the 1990s, etc. From workers, peasants, intellectuals and athletes To land, sea and air forces, shaping more than 40 roles in the ocean, and are all revolutionaries, leaving a glorious footprint on the screen, his heroic, resolute, bold, generous and passionate image of his indomitable spirit , Perseverance, invincible morale, has infected and inspired generations. I remember during the film-lacking period just after the “Cultural Revolution”, it was a movie of Yu Yang and many “Yu Yang” films, such as the nectar and the Qing Quan, which nourished the public’s almost withered heart. Unfortunately, this is full of personality