天津评剧院二团的大型现代评剧《村南柳》(李汉云编剧、赵国忠导演)的演出给我留下了一些深刻的印象。著名旦角演员李秀云以其明亮高亢的嗓音和娴熟的演唱技巧,多次赢得了观众的热烈掌声,同时她对七奶奶形象的塑造也很有光彩。当七奶奶第一次出现在孙儿柳成荫的“意念”中的时候,她身着“寿衣”,拧着缠了足的脚后跟,两臂前后摇摆着,在颤颤巍巍中勉强维持着身体的平衡,阴冷的目光搜巡着,里面似乎透出一股不放过任何一丝生命活力的杀气……这简洁的几笔就勾勒出了一个作为封建礼教和封建家长专制的不散阴魂的形象,显露了演员高超的形体造型能力。李秀云还善于运用准确、鲜明的形体动作向人物的内心世界开掘。第六场的结尾,七奶奶临死前有两次“炸尸”式的表演:她不相信秋菊生的孩子是自己那个炕上拉、炕上尿的儿子结的果,于是她猜疑,她愤怒,猜疑和仇恨的火焰已经燃尽了她的生命,她发出了一连串对秋菊的逼问之后颓然倒地。正待观众要为秋菊终于摆脱了恶婆婆的迫害而轻舒一 The performance of the large-scale modern Pingju “Village Nanliu” (written by Li Hanyun and director Zhao Guozhong) of the 2nd Corps of Tianjin Pingju Theater left a deep impression on me. The famous Dancing Actor Li Xiuyun has won the warm applause of the audience for many times with her bright, high-pitched voice and skillful singing skills. At the same time, she is very glorious in shaping the image of the Grandmother. When the grandmother first appeared in the “idea” of his grandson Liu Yin-yin, she wore a “shroud”, twisted her footed heels, waving her arms back and forth, barely holding her body in shambles Balanced and cold look of the search, which seems to reveal an uncontrollable vitality of any trace of murderous ... ... This concise few strokes outline a feudal ethics and feudal dictatorial autocratic nonsense image, Revealed the actor superb shape ability. Li Xiuyun is also good at using accurate, distinct physical movements dig to the inner world of characters. At the end of Game 6, the seven-grandmother had two “dead bodies” before her death: she did not believe that Ch’u Ju-sheng’s child was the result of her own kang pull, The flames of anger, suspicion and hatred have run out of her life, and she falls to the ground after a series of inquiries into Qiu Ju. Just waiting for the audience to finally get rid of Qiuju vicious mother-in-law and light Shuichi