上世纪末,书法学术界提出如何实现书法创作由传统书写向现代书法援引下书风嬗变和审美探究的话题,今天依然有着积极的探索意义,因为对这个问题的探究远没有结束,能够真正代表时代精神的作品依旧没有出现。执意的传统书写似已不合时宜,一味的追摹时风又迷失自我。确切地说,书风的时代嬗变和多元化审美实际就是书法的时代笔墨精神的再体现和再创造。从书家个体来说,如何在多元的书法语境下,找准自己的切入点,不断深化个性艺术语言,博览约取、取精用宏,是当下青年书家求学问 At the end of the last century, the topic of how the calligraphic academics put forward how to achieve the calligraphy style evolution and aesthetic inquiry under the calligraphy tradition from traditional writing to modern calligraphy still has a positive meaning of exploration. Because the inquiry into this issue is far from over, it can really represent the era Spiritual work still does not appear. Persistent traditional writing seems outdated, blindly tracing the wind and lost themselves. Specifically, the evolution of the era of the book style and the aesthetic reality of diversification are the embodiment and creation of the spirit of brushwork in the era of calligraphy. From the book individual, how to find their own entry points in the diverse context of calligraphy, and constantly deepening the individual artistic language, Expo about to take, take the essence with the macro, is the current young book study