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上海市博物馆收藏着一副作于明朝崇祯十二年(己卯,1639年)的山水图轴合卷,该图轴合卷是墨笔纸本,合作者是李永昌、汪度、刘上延、孙逸和江韬(渐江大师)五位新安籍画家,后有黄钺长跋。就绘画成就来说,这幅合卷不能算作上品;但是合作者有意进行集体创作,试图追求相似的艺术技巧,他们谋求形成具有地域特色的绘画风格,合作者这些方面的努力却具有十分重要的意义和价值。可以说,渐江大师参与此次创作,为他由“天都十子”向“新安四家”的转型,并最终成为新安画派的大师具有重要意义。
The Shanghai Museum contains a collection of landscape drawings and drawings of the Shanshui Plot of the Ming Dynasty Chongzhen (1639, 1639), which is an ink-and-ink copy of the scroll and is co-written by Li Yongchang, Wang Du and Liu Shangyan , Sun Yi and Jiang Tao (Master Jiang gradually) five new nationality painter, later Huangpi long postscript. In terms of painting achievements, this co-paper can not be regarded as top grade; however, the co-workers are intent on collective writing and trying to pursue similar artistic skills. They seek to form a painting style with regional characteristics. The efforts of the co-workers are very important Meaning and value. It can be said that Master Jian Jiang participated in the creation for his transformation from “Tian Zi Shi Zi ” to “Xin An Si Jia ” and eventually became a master of Xin’an School of Painting.