论文部分内容阅读
清末民初哈尔滨戏曲演出非常兴盛。在戏曲社会功能的选择上,官府和知识精英阶层与戏园大众表现出不一致的取向,前两者强化其教化作用,后者偏重其娱乐感受,这样的矛盾显示了社会转型时期政治与道德权威的弱化。
At the end of the Qing Dynasty and the early Republic of China, Harbin opera performance was flourishing. In the choice of the social function of opera, the officials and the intellectual elite show inconsistent orientation with the opera populace. The former two strengthen their enlightenment and the latter emphasize their entertaining experience. These contradictions show the political and moral authority during the social transition Weakening.