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民族音乐学的范式对蒙古族“呼图克沁”这一民间仪式表演具有较强的解释力,而在我们已有的研究中,缺少应用民族音乐学的范式来解释“呼图克沁”仪式表演的音乐现象,因而当前面临研究范式的挑战。文章试图以民族音乐学的范式,即以音乐和文化背景的关系理论作为切入点,采用音乐民族志的研究方法探讨“呼图克沁”仪式表演中信仰、行为和音声三者间的互动关系,特别是探讨音乐在仪式中的运用问题的研究范式,以实现研究范式的转换。
The paradigm of ethnomusicology has a strong explanatory power for the Mongolian “Hutukhin” folklore performance. In our existing research, however, there is a lack of paradigm for the application of ethnomusicology to explain the “ Ke Qin ”music performance of ritual performance, which currently faces the challenge of research paradigm. The article attempts to use the paradigm of ethnomusicology, that is, the theory of relationship between music and culture as a starting point, and uses the method of music ethnography to explore the relationship between faith, behavior and sound in the performance of “Hutukhin” Interactive relationship, especially to explore the use of music in ritual research paradigm in order to achieve paradigm shift.