诗中有画,画中有诗,中国古典诗歌与传统中国画在审美艺术上固有相通之处。留白之于诗歌正如布白之于国画,计白当黑,意境油然而生。正由于诗与画在审美上有相似,古往今来许多学者在画论、诗论中总会将二者加以比较鉴赏。本文试从诗画共同的艺术手法——留白入手,进一步探讨诗画相生的艺术意境。 There are paintings in the poem and poems in the paintings. The classical Chinese poetry and the traditional Chinese paintings are inherently related to the aesthetic arts. Just as in the poetry of cloth white in the painting, white when the black, the mood arises spontaneously. As poetry and painting are aesthetically similar, many scholars in ancient and modern times always compare the two in painting theory and poetics. This article attempts to start from the common artistic technique of poetry and painting - to keep a closer look at the artistic conception of poetry and painting.