论文部分内容阅读
通览杨阳的作品,不论是家庭伦理题材还是革命历史题材,总会让人产生一种在黑暗的隧道中踯躅前行的感觉,艰难而又充满期待。从她的早期的单本剧《牛玉琴的树》、《午夜有轨电车》,到90年代末的《牵手》和近年的《记忆的证明》、《诺尔曼.白求恩》等,特别是《记忆的证明》,成就了“飞天”和“金鹰”上最耀[的女导]。在如今长篇电视连续剧面对更大的市场压力和收视考验下,杨阳则凭借其独具匠心的艺术观念和实践,坚守了电视剧的精神家园和美学风范。
Through Yang Yang’s works, whether it is a family ethical theme or a historical theme of revolution, people always have a feeling of walking in a dark tunnel. They are both hard and full of expectations. From her early solo shows, “The Tree of Niu Yuqin,” “Midnight Tram,” “Hand in Hand” in the late 1990s, “Proof of Memory,” “Norman Bethune,” and others in recent years, Proof “, the achievements of the” flying “and” Golden Eagle "on the most Yao [female guide]. In today’s long television series in the face of greater market pressure and audience test, Yang Yang, by virtue of his unique artistic ideas and practices, adhere to the TV series’s spiritual homeland and aesthetic style.