诗歌进入90年代,在存在这一主题层面上,呈现两种引人注目的样貌:一种是充满泛宗教情怀、在人性与神性迭合部,指向人的精神结构:“光”的照耀、“大鸟”飞翔、“天籁”、“金属”,如同稍早的“村庄”“麦地”,一起汇合成灵魂的施洗;另一种是于琐碎的日常事物,发散私我的生命情怀,从随处可见的“形而下”物象表象,挖 When poetry entered the 90’s, there were two striking appearances on this thematic level: one is the pan-religious sentiment, which points to the spiritual structure of human beings in the combination of humanity and divinity: “light” Shining, “big bird” flying, “Teana”, “metal”, as earlier “village” “corn field”, together into the soul of the baptism; the other is trivial everyday things, divergent private Life feelings, from the ubiquitous “metaphysical” image appearance, digging