曾经看到一幅连续漫画:两只玻璃鱼缸中,各有几条金鱼。它们都觉得对方的缸更好一些,于是一齐跃起,交叉换位,在“新”的鱼缸中漫游了。这使我想起了戏剧界某些类似的现象:关于戏曲,有入主张向话剧靠拢,采用写实手法,甚至提倡“话剧加唱”。反之,话剧则强调向戏曲学习写意戏剧观和坦诚的假定手法,等等。大概,无论戏曲、话剧,确定都有自己的不足,都要力图突破自己的局限,丰富表现手段, Have seen a comic strip: two glass fish tank, each with a few goldfish. They felt each other’s cylinder better, so they all leap, cross-transposition, in the “new” fish tank roaming. This reminds me of some similar phenomenon in the drama industry: on the opera, there are advocates who move closer to the drama, adopt realistic means, and even promote “singing and singing.” Conversely, drama emphasizes the freehand theater of drama and frank assumptions about drama, and so on. Probably, no matter opera, drama, determine have their own deficiencies, should strive to break through their own limitations, enrich the means of expression,