近几年一直在思考一些有趣的关于“画”的问题,就是画之所以成为“画”的条件:可看性?无用的物品?平面性空间特质?图与底?等等,画是不是经由绘画行为而成的物品?而对物品的物质实在性作无用性转换,物品是否可以经由绘画行为成为“画”?是否在画—绘画—物品的同时也可以物品—绘画—画?从《日工》系列开始,我就试图在实践中探索这种可能性。我最初的想法是:把画不当画去画。首先是放弃已有的绘画知识系统,其次是解决生产方式的问题,再次是如何有机地激发物性 In recent years, he has been thinking of some interesting questions about “painting”, that is, the painting has become the condition of “painting”: looking at sexuality, useless objects, flat space characteristics, figure and bottom, etc. Is it possible for paintings to be “painted” through painting and whether painting can be done while painting, painting or objects? Painting - Painting Starting with the series of “day labors,” I try to explore this possibility in practice. My initial idea is: to draw improper paintings to draw. The first is to abandon the existing painting knowledge system, followed by the solution to the problem of production methods, and again how to organically stimulate physical properties