论文从以下三个方面考察“郑卫之音”:首先从政治历史地理的层面考察“郑卫之音”的原初指涉,关键是考察商、周王朝更替与商、周文化差异。第二,在周代的“雅乐”(古乐)与“俗乐”(新乐)、制礼作乐与礼崩乐坏的关系中看“郑卫之音”。第三,在礼乐理性与感性娱乐的关系中看“郑卫之音”的发生、发展与演变。 The thesis examines the sound of Zheng Wei from the following three aspects: First of all, from the aspect of political history and geography to examine the original reference of Zheng Wei’s Voice, the key is to examine the difference between Shang and Zhou dynasties and the cultural differences between Shang and Zhou. Second, we can see the sound of “Zheng Wei” in the relationship between “Ya Le” (ancient music) and “vulgar music” (Xin Le) in the Zhou Dynasty. Thirdly, in the relationship between ritual, rational and emotional entertainment, we can see the occurrence, development and evolution of the sound of Zheng Wei.