执拗就是一种态度——王静对话朱伟

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王静:关于水墨问题的讨论从来没有停止过,争论似乎并没有给水墨未来的发展指明方向,对于你来说,作为一个实践者、艺术家,理论对你的作用是什么?朱伟:世界上没有一件事是在理论的指引下取得成功的,理论只能起善后的作用。比如,没人敢在刚一出生就把一生的简历写好,只有在死了以后才会有一两篇悼词,理论在这个时候才显示出来。我现在的工作是水墨画能否当代的问题,可以说弄好了肯定有人跟着,弄不好就混了个前无古人后无来者。 Wang Jing: The discussion on the issue of ink and wash has never stopped. The debate does not seem to point out the direction for the future development of ink painting. For you, what is the role of the artist and theory as a practitioner for you? Zhu Wei: There is no One thing is successful under the guidance of the theory, the theory can only play a role of good and carefree. For example, no one dared to write a lifetime resume just after his birth. Only after he died did he have one or two eulogies. The theory was revealed at this time. My current job is whether contemporary ink and wash paintings can be said to make sure that someone has followed them.
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陈源初于二十世纪八十年代去了美国,在那儿一呆就是三十年。艺术家曾经说过一句话:我只用过自己的眼睛。在他的一系列作品中,我们都会看到一双模糊、朦胧的眼睛,这个所谓的“
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