几年前,我曾经写过一篇关于荆桂秋花鸟画作品赏析的短文,那是出于我在一次学术活动中见他从容作画有感而发的。桂秋作画,落笔法度严谨,笔笔墨色温和又大胆肯定。他所表现的情景,都是我们常见常眷恋的自然风致,画风素雅简约。我认为,在黑龙江这样的北方省份,有这样一位浙派绘画气息浓郁的画家很难得。再看荆桂秋本人,分明是位壮汉,但其作品却温润如玉,细腻敏锐,其反差不得不让我感兴趣。原来艺术就是这样既妙奥又耐人寻味的东西。 A few years ago, I wrote an essay about the appreciation of Jing Guiqiu’s flower and bird paintings, out of my senses of calm painting at an academic event. Gui autumn painting, writing down the law rigorous, pen ink mild and bold affirmation. The scenes he has shown are all natural and common customs that we often attach to, and are simple and elegant in style. In my view, such a northern province as Heilongjiang, I think it is rare for such a painter with rich flavor of painting in Zhejiang school. Look at Jing Guiqiu himself, clearly a brawny, but his works are moist jade, delicate and sensitive, the contrast had to make me interested. The original art is so wonderful and intriguing things.