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“一个规定的线通贯着大宇宙,赋予了一切被创造物。如果他们在这线里运行着,而自觉自由自在,那是不会产生出任何丑陋的东西来的……低能的艺术家很少具有这胆量单独地强调出那要紧的线,这需要一种决断力,像仅有少数人才能具有的那样。”中国画家正是这“少数人”之一。他们本能地找到了“通贯大宇宙”的线,而这通贯大宇宙的每一根线条“既流出人心之美,也流出万象之美”。对于中国画来说,线条的美从来不被理解为一种静态的实有,而是被理解为一种韵律的主体表现,在于可视的运动的旋律中,并通过节奏、力度等体势加以层出不穷的变化。
“A prescribed line runs through the universe, giving everything created, if they are running in this line, and consciously free, it will not produce any ugly things ... ... Low-energy artists Rarely have this guts to emphasize that critical line individually, and that requires a decisive power, as few only have. ”“ The Chinese painter is one of the ”few“. They instinctively found the line ”through the Universe,“ which runs through every line of the cosmos that ”flows both the beauty of the human heart and the beauty of Vientiane." For Chinese painting, the beauty of lines has never been understood as a static reality, but rather as a manifestation of rhythm, in the melody of visual movement, and through rhythms, dynamics, etc. An endless stream of changes.