由于经济上竞争机制的拓展,文化上的地域竞争也随之加剧,关东戏剧的探讨就是在这种一个大背景下展开的。关东戏剧只是关东文化的一个组成部分。从理论上讲,文化乃是人类所创造的不同形态的特质所构成的复合体。这个复合体包罗万象,既有物质财富又有精神财富。它是有地域性的,它构成的最小单位是文化特色,戏剧文化也是如此。提到关东文化,不由得使我们想起了富有地域特色的关东文学,比如清代中、末叶以韩小窗、喜小峰、缪东霖为代表的东词子弟书的创作群体,他们不拘泥,不苟且,以关东人素有泼辣、豪爽、质朴性格,直截了当无所顾忌抨击了封建礼教的没落与腐朽。在他们的影响 Due to the expansion of the economic competition mechanism, the cultural regional competition also intensified. The discussion of the drama of the Kanto area was carried out under such a broad background. Kanto drama is only an integral part of Kanto culture. In theory, culture is a complex of different forms of mankind created by the characteristics. This complex covers everything from material wealth to spiritual wealth. It is a regional, its smallest unit is the cultural characteristics, drama culture as well. When it comes to Kanto culture, we can not but remind us of Kanto literature, which is rich in regional characteristics. For example, in the middle and late Qing dynasties, there was a group of writers of Dong Zi children’s books represented by Han Xiaochu, Xi Xiaofeng and Miao Tung-lin. They did not rigidly adhere to the K- Personally known as the heroic, generous, simple character, straightforward and unscrupulous criticism of the feudal ethics decline and decadent. In their influence