二十世纪四、五十年代 ,法国年轻的影评家 (后来也成为著名导演 )亚历山大·阿斯特吕克提出了“摄影机——自来水笔”的理论 ,认为电影工作者应该、也可以和作家一样 ,用摄影机自由地描写生活 ,表现情感、思想。在世界电影史上 ,不少电影大师的作品的艺术或思想价值都可以跟任 In the 1940s and 1950s, the young French film critic (who later became a famous director) Alexander Astrrucker put forward the theory of “camera-fountain pen”, and considered that movie workers should and can work with writers Similarly, use the camera to describe life freely, express emotions and thoughts. In the history of movie in the world, many movie masters of the works of art or ideological value can be followed