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将宗教信仰渗透于审美沉思是张晓风戏剧的本质特色。张晓风是为宗教传道而开始话剧创作的,但她很快地就能超越宗教,以其社会人生的深沉思考、历史阐释中的现代精神、对于人与人性的真实描写和融合中西进行戏剧新探索,在1970年代的台湾剧坛开辟出一片新的戏剧天地;而另一方面,又正是那种深深地渗透于审美沉思之中的宗教信仰,使得张晓风的戏剧创作体现出独特的意蕴和魅力。
To infiltrate the religious belief in aesthetic contemplation is the essential feature of Zhang Xiaofeng’s drama. Zhang Xiaofeng began to write drama for religious preaching, but she quickly surpassed religion. With her deep thinking of social life and the modern spirit in historical interpretation, Zhang Xiaofeng made a new exploration of drama for the true description of human and human nature and the integration of China and the West , Opened up a new theater in Taiwan in the 1970s. On the other hand, it was precisely the kind of religious belief that permeated deeply into aesthetic contemplation, which made Zhang Xiaofeng’s dramatic creation embody a unique connotation. charm.