“言文一致”的理想目标自晚清时期被提出来,稍后成为现代诗歌发生、发展过程中始终追寻的方向,如胡适的白话诗歌理论与实践乃至90年代的“口语化”写作,但口语与书面语之间的摩擦乃至对抗也贯穿始终。只有兼容口语与书面语的优长,才是当下以及未来诗歌健康发展的正途。 The ideal goal of “consistent speech and writing” was put forward in the late Qing period and later became the direction that modern poetry always followed in the development and development of the poem. For example, Hu Shih’s vernacular poetry theory and practice and the “colloquialism ”Writing, but friction and confrontation between spoken and written language also runs through. Only the excellent oral and written language compatibility is the right path for the healthy development of present and future poetry.