在泉州的父亲已经好几年不和我谈艺术了,作为画院的专职画家,他不采用那种传统的、具有典雅文人画倾向的创作方式,他用左手书写,画面中带有很强的构成性和浓郁的民间色彩,他不是那种保守的,循规蹈矩的艺术家,却时常在我的画面前保持缄默,在我看来,这缄默中应该带有关于艺术人格的理解的成分。 自然是在他的影响下,我开始了自己所谓的美术生涯,在那个有着和徐悲鸿几乎同时代的留学背景的创始人的院校里,在那个现实主义和古典主义的样式体系控制教学方向超过六十年 His father in Quanzhou had not talked to me about art for several years. As a professional painter in the art academy, he did not adopt the traditional way of writing with the elegant tendency of literati painting. He wrote in his left hand with a strong composition He is not the kind of conservative and regular artist, but always keeps silence in front of my picture. In my opinion, this silence should contain elements of comprehension of artistic personality. Naturally, under his influence, I started my so-called art career. In that institution where I founded the foundering school with almost the same age as Xu Beihong, the realism and the classical style system controlled the teaching of more than Sixty years