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我始终认为,短篇小说是一种很难驾驭的文体。胡适在1918年的一篇《论短篇小说》的文章中说:“短篇小说是用最经济的文学手段,描写事实中最精彩的一段或一方面,而能使人充分满意的文章”。这段话,后来被许多谈论短篇小说的文章提及、引用。胡适用两个“最”——最经济和最精彩,精辟地道出了短篇小说文体的独特性,也恰恰是这种独特性导致了短篇小说写作的难度。“最经济”要求文本篇幅的简洁,而简洁之中又必须蕴藉着“四两拨千斤”的力量。于是,作家往往将生活中一段“最精彩”横截面以艺术的方式切割在我们面前,让我们在反复把玩
I always think that short stories are a hard-to-control style. In a 1918 article “On Short Stories,” Hu Shi said: “Short stories are the most cost-effective literary devices that depict the most exciting episode or aspect of the story, while the most satisfying one is” . This passage was later referred to by many articles on short stories. Hu applies the two “the most ” - the most economical and most wonderful, penetratingly reveals the uniqueness of short story style, it is precisely this uniqueness led to the difficulty of short story writing. “The most economical ” requires the length of the text is simple, and concise which must be implied by “four two hundred thousand pounds” power. As a result, writers tend to cut a section of “the most wonderful” cross-section in life in an artistic way in front of us, let’s play repeatedly