本文比较全面、系统地介绍了自1982年台湾剧作家姚一苇的《红鼻子》被首次搬上大陆舞台以来,台湾戏剧在大陆上演的种种情况。文章指出,这一文化现象不但促进了两岸的文化交流,而且为两岸戏剧的繁荣和发展起到了积极作用。 This article provides a comprehensive and systematic introduction of the various situations in Taiwan drama staged in mainland China since the “red nose” of Taiwanese dramatist Yao Yiwei was first brought onto the mainland stage in 1982. The article points out that this cultural phenomenon has not only promoted the cultural exchanges between the two sides of the Taiwan Strait, but also played an active role in the prosperity and development of the drama of the two sides of the Straits.