书法史、书法批评、书法理论是书法学科的基本构成部分。从学术意义上说,书法批评是书法理沦对书法实践的一种干预,它充当着书法理论与书法实践之间的桥梁角色。书法批评是以一定的书学思想和理论为指导,运用一定的批评方法,对书法家、书法作品、书法现象所作的评价和研究活动。当今书法批评处于多维视野的立体交叉背景下,文化语境的混乱和文化视野的多元 Calligraphy history, calligraphy criticism, calligraphy theory is the basic part of the discipline of calligraphy. From an academic point of view, calligraphic criticism is an intervention in the practice of calligraphy by calligraphy theory, which serves as a bridge between calligraphy theory and calligraphy practice. Calligraphy criticism is based on a certain book of thought and theory as a guide, the use of certain methods of criticism, calligrapher, calligraphy, calligraphy phenomenon evaluation and research activities. Today’s calligraphic criticism is in a multidimensional perspective of the three-dimensional cross background, the confusion of cultural context and cultural perspective of multiple