京剧对我来说,是骨子里的一根筋,仿佛与生俱来。不明所以地就偏爱甚至崇拜它,无端就感觉它的亲切。可能和母亲有关。母亲年轻时上台唱过花旦,她非常喜欢梅兰芳。无论何时何地,她都可能哼唱一段《苏三》——苏三离了洪洞县,将身来在大街前。未曾开言心好惨,过往的君子听我言:哪一位去往南京转,与我那三郎把信传。言说苏三把命断,来生变犬马我当报还。于是,《苏三》的这段开头在我心中成了京剧一个先人为主的符号,而印象里的京剧就是这样:一个美貌奇女子,我这个外行虽不能一五一十说出她的好来,但依然痴痴地 Peking Opera is, to me, a rib in my bones, as if I was born. Unpredictable place to favor or even worship it, no reason to feel it’s kind. May be related to the mother. When her mother came to stage singing young girl, she liked Mei Lanfang very much. No matter when and where she may hum a “Su-three” - Su three from Hongdong County, will be in front of the street. Never mind good miserable, the gentleman in the past to listen to me: which one go to Nanjing, and my Saburo to the letter. Say Su three life and death, to change my dog ​​when I repay. As a result, the beginning of this section of “Su-San” has become an ancestor of Peking Opera in my heart. This is the case with Peking Opera, a beautiful woman who can not tell her well Come, but still journeying