从上个世纪八九十年代开始,在后现代语境的影响下,我国的电影事业得到了迅速发展,出现了一批优秀的后现代电影文本,本文将结合后现代理论与当前中国电影,从社会学、语言学、叙事学的角度,分析在后现代语境下中国电影的影像语言和叙事结构等方面体现出的审美特质。 Since the 1980s and 1990s, under the influence of the postmodern context, the movie industry in our country has been rapidly developed and a number of outstanding postmodern movie texts have emerged. This article will combine the postmodern theory with the current Chinese film, From the perspectives of sociology, linguistics and narratology, this article analyzes the aesthetic qualities embodied in the image language and narrative structure of Chinese films in the postmodern context.