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世纪之交,画家吴冠中将自己的十件巨幅近作捐赠给国家。文化部首次出面为之主办捐赠仪式、艺术展览和国际研讨会,同时出版珍藏版、普及版两种《吴冠中画集》(珍藏版本超大四开,其中100册有吴冠中亲笔手迹)及《论吴冠中——吴冠中研究文选》,此举将“吴冠中热”又推向一个新高潮。 从艺术市场角度来看吴冠中艺术,有以下几个特点比较突出: 1.市场价值:频频超百万 吴冠中在沉潜了三十年后随改革开放的大潮浮出水面,迅速得到艺术市场的认可,其面貌一新的墨彩画、油画均首创在世画家的“天价”,并频频突破百万大关: 1989年,墨彩画《高昌遗址》在苏富比春季拍卖中,以187万港币售出。
At the turn of the century, Wu Guanzhong, the painter, donated 10 of his own giant paintings to the country. For the first time, the Ministry of Culture sponsored donation ceremonies, art exhibitions and international seminars. At the same time, it published two editions of Wu Guanzhong Collection (Collector’s Edition, including 100 copies of Wu Guanzhong’s handwritten handwriting) and Wu Guanzhong- - Wu Guanzhong research anthology “, the move will be” Wu Guanzhong fever “to a new upsurge. From the perspective of the art market Wu Guanzhong art, the following characteristics are more prominent: 1. Market value: frequently millions of millions In the submarine after three decades Wu Guanzhong submerged in the tide of reform and opening up, the art market quickly recognized, Its new appearance of ink painting, oil painting are the first painter of the world’s ”high price“, and frequently break the million mark: In 1989, ink painting ”Site of Gaochang" Sotheby’s spring auction, to 1.87 million Hong Kong dollar sale Out