论文部分内容阅读
每种现象背后都裹挟着残酷的因子;日渐退化的人类需要某种形而上学的思想来透过皮囊直面内心。正是基于这种哲学观点,法国戏剧理论家安东尼·阿托德提出了“残酷戏剧”理论,通过暴力的、严酷的、物质的决定论来粉碎我们心灵的枷锁。本文试图分析这种理论其在早中期作品中的体现,以期更好地理解谢泼德,理解阿托德,理解当时的美国社会。
Behind every phenomenon are the brutal factors; a degenerating human beings need some sort of metaphysical thought to face the heart through the bladder. It is precisely from this philosophical point of view that the French theater theorist Anthony Atoll has put forward the theory of “brutal drama” and shattered the shackles of our soul through violent, harsh, materialistic determinism. This article attempts to analyze the manifestation of this theory in early and mid-term works with a view to understanding Shephard better, understanding Atod and understanding the American society at that time.