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康德的美学思想,与他生活的现实,有着很密切的联系。康德的美学思想,源自于他对艺术、审美、生活现实的体验反思。康德美学中的人与审美,在历史的变化中构成的是同生、共在的协调关系。美在直观,痛苦对审美的作用更大,美虽无用却有大用,美的理想是人的身体,诸如此类的观念均标明,康德美学的现实走向,是确实存在的。康德的先验审美,以现实交流的有效性为归依。在康德美学思想的最深处,我们能找到通往马克思学说的隐秘道路。
Kant’s aesthetic thinking has a close connection with the reality of his life. Kant’s aesthetic thought stems from his experiential reflection on art, aesthetic and life reality. Kant’s aesthetics of human and aesthetic, in the historical changes in the composition of co-existence and co-ordination of relations. Beauty is more intuitive and painful for aesthetic purposes. Although beauty does not help but has great utility, the ideal of beauty is the human body. All these notations show that the actual direction of Kant’s aesthetics does exist. Kant’s transcendental aesthetic, based on the effectiveness of the reality exchange. In the deepest aesthetic thought of Kant, we can find the hidden path to Marx’s theory.