论文部分内容阅读
作为新历史主义在中国当代文学中的代表作品,李洱的《花腔》通过“复调”的叙事策略,由三个叙述人(关于葛任历史的参与者)分别讲述关于民族英雄葛任的故事,从而在众声喧哗的局面下,将由意识形态主宰的冰冷的历史大叙事转换成充满着多重个体化声音的历史小叙事。历史具体化,展现在个人的叙述中,而被主流历史所淹没的事实真相以及个体在历史夹缝中的艰难生存状态亦重新拨开迷雾,成为人们反思权力话语,寻求个体生命旨归的重要源头。
As the representative works of New Historicism in Chinese contemporary literature, Li Er’s “Flower Chamber” narrates the narrative tactics of “polyphony” and tells the narrators (participants on the history of Ge Ren) Ren’s story, thus converting the cold, historical narrative dominated by ideology into a narrative of history filled with multiple, individualized voices, in a noisy environment. The embodiment of history is manifested in the personal narrative. However, the fact that the history is overwhelmed by the mainstream history and the difficult living conditions of the individual in history have also redirected the fog and become an important source for people to reflect on their power and seek their own life purpose .