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写生是认识自然、认识表现对象的重要手段,也是画家表现方法及艺术灵感的真正来源。从艺术心理的角度看,已经获得的经验在写生中往往被投射到画家所看到的自然景物上,但对景写生,不是对景描摹也不是前人笔墨图式的重复,而是当下对自然物象观察后生发出的水墨语言。本文从“投射”对写生创作的影响和水墨语言的“当下性”两个方面对写生与创作中如何强化自己的感受,建构个性化的水墨语言进行了尝试性探讨。
Sketching is an important means of understanding nature and understanding objects of expression. It is also the true source of artist’s performance method and artistic inspiration. From an artistic psychology point of view, the experience gained has been often projected onto the natural landscapes seen by the painters during the sketches. However, it is not the repetition of sketching or writing patterns of the past, After the observation of natural objects issued by the ink language. This paper attempts to explore how to strengthen one’s feelings and how to construct a personalized ink and wash language in sketching and writing from two aspects of the impact of sketching on sketching and the current character of ink and wash language.