艺术,一旦和当代的关系产生断裂,就意味着艺术家的一切劳动都将是徒劳而无趣的。而中国画创作,往往艺术家们仅囿于对传统笔墨的重复,并以欣赏其中的津津乐道而自慰。实质意义的创造性劳动的产生,往往只限于已被认可的大师之中。然而,近十年来,西方当代艺术潮流在中国的反复实验,毫无疑问地影响到了大多数正从事创作的所有艺术劳动者。在传统与当代二维空间进行文化意义的实践、把握与宣泄,是目前中国画寻求突破的主要方式,也是画家玉玺近期创作中凸显的主要趋向。 Art, once fractured in relation to the present, means that all the work of the artist will be futile and boring. In Chinese painting, artists tend to simply repeat the traditional brushwork and masturbate with relish. The creation of a substantive creative work is often confined to recognized masters. However, in the recent decade, the repeated experiments with the trend of Western contemporary art in China have undoubtedly affected most of the art workers who are engaged in creation. The practice, grasping and catharsis of cultural meanings in the traditional and contemporary two-dimensional space are the main ways for Chinese paintings to seek a breakthrough nowadays and also the main tendency highlighted by painter Yuxi in the recent creation.