近年来，在我国绘画教学中，基础的狭窄与艺术创作上多样化需求之间的矛盾日益突出。在素描领域内，“素描是一切造型艺术的基础”这句话被打上了问号。显然，在旧的教学模式中，素描教学由于其本身接触问题范围的狭小决定了它并不足以承担一切造型艺术基础的重任，它给素描教? In recent years, in the teaching of Chinese painting, the contradiction between the narrow foundation and the diversified needs in artistic creation has become increasingly prominent. In the area of ​​sketches, the notion that “sketching is the basis of all the art of molding” was marked. Obviously, in the old teaching mode, the sketch teaching because of its own narrow scope of contact problems determines that it is not enough to assume all the heavy responsibility of the basis of plastic arts, which teach sketch?