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作为当代文学的新女性小说家,林白以鲜明的女性姿态来反抗男权中心主义,用“个人化写作”对女性形象进行新的塑造。在《回廊之椅》中,林白通过对女性美和男性丑的极致描写,赞赏女性的美,排斥对男性的观赏,对男权中心主义提出反抗,并大胆地把女性的欲望展现出来,将曾经被视为禁忌的各种隐私情感释放出来。林白通过男女二元对立的模式来构建《回廊之椅》中的女性话语系统。本文通过对女性美与男性丑的强烈对比,探究林白构建这个二元对立模式的原因,并对林白在描写中出现的缺陷进行探讨。
As a new female novelist of contemporary literature, Lin Bai resisted patriarchalism with a vivid female attitude and used “personal writing” to make a new shape of the female image. In Chairs of the Cloisters, Lin Bai, through the extreme portrayal of female beauty and male ugly, appreciates the beauty of women, rejects the viewing of men, opposes patriarchalism and boldly displays the desire of women, All kinds of privacy feelings once taboo have been released. Lin Bai constructed the female discourse system in the chair of the cloister through the mode of dual opposition between men and women. In this paper, by contrasting the strong beauty of women and the ugly of men, this paper explores the reasons for the establishment of this binary opposition model of Lin Bai and discusses the defects that Lin Bai appeared in his description.