通常意义上的物品,一旦负载了人的精神,则蜕变为另一种存在,成为“符号化”的指认,物品自身便获得一种角色与身份,进而作为文化表征而变成活生生的对象,并符合某种关系逻辑。如果缺乏这样的指涉,“美玉”无非是石头一块,杜尚的《泉》也只是小便池一个,它们无论如何也不可能获得今天所具有的价值。 In the usual sense, once the human spirit is loaded, it transforms into another existence and becomes the designation of “symbolization”, and the object itself gains a role and identity, and then becomes a living symbol as a cultural representation Object, and conform to some kind of relational logic. Without such reference, “jade ” is nothing more than a piece of stone, Duchamp’s “spring” is only a urinal, they can not in any case obtain the value of today.