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《迟桂花》是郁达夫动用各种手法描绘出的一幅有如桃源美的画。透过这幅画的背后我们去感知沉潜在作品中的情绪流动,惊奇地发现基督教中的善恶意识、忏悔意识与救赎意识是隐藏于其中的。这三大意识在作品中的隐性显现体现了郁达夫对其内在生命的执着和精神的终极追求,而这种执着和追求充分显现了郁达夫的浓厚宗教情绪。
“Chi Osmanthus” is Yu Dafu used a variety of techniques described as a painting like the United States Taoyuan. Through this picture we are behind the emotion flow in the works of submerged Shen Shen. We are surprised to find that the sense of good and evil in Christianity, the consciousness of remorse and the sense of redemption are hidden in it. The recessive manifestations of these three greats in the works embody Yu Dafu’s ultimate pursuit of his inherent life and spirit, and this dedication and pursuit fully show Yu Dafu’s strong religious sentiments.