王朝闻集雕塑家、美学家、评论家于一身,且样样精专。他是一生执着艺事,不拘身外之物的典型。几十年来,政治风云可谓强爆,经济泡沫可算花哨,但都难动先生之心志。他悠游于汉唐风景,魏晋境界,把美学融入生活,随处发现身边细节之美事。如此好好先生,文革也遭劫难,被称为“阎王殿”中黑帅将。他曾说“凤姐是我”;也曾在浩劫过后,重游旧地抱树痛哭。他的雕塑作品《毛泽东侧面浮雕像》是中国美术史上的经典之作,占有不可替代的地位;他的美学专著《美学概论》影响了几代人;他的《论凤姐》在红学研究中独树一帜。他声明显赫,却无有当前名家之骄悍,吾曾亲见他对边省小县来的民间艺人孜孜讲解,循循以对……这样的学者走了,吾国学界能不感触?人品艺品皆高拔,华林内外能不叹?发掘先生旧文,亦感佛教世界厚博亲暖,先生会否正游此界? ——编者 Dynasty Wen sculptors, aesthetics, critics in one, and all kinds of fine. He is a life-long art, typical of uninhibited things. For decades, the political situation can be described as strong explosion, the economic bubble can be regarded as fancy, but are hard to move Mr. mind. He wandered in the Han and Tang Dynasties scenery, the Wei and Jin realms, the aesthetics into life, everywhere found the beauty of the details around. Such a good gentleman, the Cultural Revolution was also catastrophic, known as “Hades Palace” in the handsome. He once said “Xifeng is me”; also after the catastrophe, the old place again hugged the tree to cry. His sculpture “Mao Zedong’s Side Relief Statue” is a classic in Chinese art history, occupying an irreplaceable position; his aesthetic monograph An Introduction to Aesthetics affected generations; his “On Feng Xijie” is unique in the study of the Red Chamber . His prominent statement, but no current arrogance of the aristocracy, I have personally see him to the small province to the folk artists to diligently explain, follow ... ... Such a scholar to go, my country can not touch the academic community? Talented products are high pull, Hualin can not sigh inside and outside? Discover old man, but also the warmth of Buddhism in the world, you will be touring this sector?