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《乐器》杂志从这一期开始将推出一个全新的栏目,在这个栏目中我们将通过一系列文章来讲述爵士乐历史上一些杰出音乐家的生平,并对他们的音乐风格进行探索。这一系列的文章将以年代为线索,从20世纪早期爵士乐刚刚萌芽开始,直到现今。文章讨论的主题包括大师们在乐器演奏上的独特技巧,以及创作上的鲜明个性。在这些大师们音乐生涯的颠峰时期,他们都充当了革新者和先驱者的角色,以他们丰富的想象力打破音乐的固有模式,不断拓展着爵士乐的疆界,引领着爵士乐朝着更新的方向发展。但对于很多革新者和有着巨大贡献的人来说,他们可能都会有相同的命运,那就是在有生之年他们得不到应有的赏识,有的人甚至过着极其苦难的生活。在他们离开人世之后,他们对爵士乐的贡献才得到了正确的评价。这个栏目的文章会为读者提供出关于每一位音乐家的信息,包括他们的生平介绍,对其他音乐家所产生的影响,他们的主要作品,以及分析他们的音乐风格。
From this issue, Musical Magazine will launch a brand new section in which we will present a series of articles on the life of some of the best jazz musicians in jazz history and explore their musical styles. This series of articles will be chronological, starting from the beginning of early 20th century jazz sprout, until now. Topics discussed in the essay include the masters’ unique skills in playing musical instruments and the distinctive personality of their creations. At the height of the musical career of these masters, they all played the role of innovators and forerunners, breaking the inherent mode of music with their rich imagination, expanding jazz boundaries and leading jazz in a new direction development of. But for many innovators and those who make a great contribution, they may all have the same fate, that is, they will not get what they deserve in their lifetime, and some will even live in extremely misery. After they left the world, their contribution to the jazz got the correct evaluation. The articles in this section provide the reader with information about every musician, including their introduction to life, the effects on other musicians, their main work, and the analysis of their musical style.