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电影《霸王别姬》和《人·鬼·情》都是以主人公个体和其艺术成长经历为线索展开叙事的经典影片。但两部电影的叙事视角有很大差别。《霸王别姬》从男权话语视角展现了大时代背景下整个民族的兴衰;《人·鬼·情》则从女性主义视角揭示了中国近现代独立女性的生存困境。对比分析两部电影中的人物生命历程及导演情怀,将对中国当代的女性主义电影和戏曲电影具有借鉴意义。
The movie “Farewell My Concubine” and “Ghosts and Loves” are classic films that narrate the protagonists and their artistic experiences as clues. However, the narrative perspectives of the two films are quite different. Farewell My Concubine, from the perspective of patriarchal discourse, shows the rise and fall of the entire nation under the background of big times. “Man, Ghost and Sentiment” reveals the predicament of existence of independent women in modern China from the perspective of feminism. A comparative analysis of the life history of the two films and the director’s feelings will be of reference for the contemporary Chinese feminist and drama films.