初见天赐荷花是在天津人民美术出版的“大红袍”上,赏遍百画,均闻其画中乾坤博大之气,让人称奇不已。之后有幸对谢天赐做了足足三天的访谈,方才知晓天赐荷花的乾坤面貌是必然,于是便有了此文。在谈话中,谢天赐始终强调笔墨结构在中国画中的重要性,强调艺术家自身知识体系的重要性,强调了解生命科学、宇宙科学、传统哲学、 First saw godsend lotus in Tianjin People’s Fine Arts published “Dahongpao ”, all over the 100 paintings, both smell the universe of its heaven and earth broad atmosphere, surprising. After fortunate enough to Xie Tianci made a full three days of interviews, just know heaven and earth heaven and earth lotus appearance is inevitable, so there is this article. In his conversation, Xie Tianci always emphasized the importance of the structure of brush and ink in Chinese painting, emphasized the importance of the artist’s own knowledge system, emphasized the understanding of life sciences, cosmology, traditional philosophy,