白行简的《三梦记》是魏晋以来小说以梦境为特定空间展开叙事的创作倾向的产物,与许多作品在叙事结构、题材方面具有相对明晰的传承线路。从中晚唐到清代,三个记梦片断被拆落,进入小说重写过程,产生了数量不等、体制不同的重写之作,是唐传奇重写史的一个缩影。 The “Three Dreams” of Bai Jianzhang is the product of the creative tendencies of narration since the Wei and Jin Dynasties, and many works have relatively clear lines of inheritance in narrative structure and theme. From the middle and late Tang Dynasty to the Qing Dynasty, the three recorded dream fragments were disassembled into the novel rewriting process, which resulted in a number of rewriting works with different numbers and systems. It was a microcosm of rewriting the history of the Tang legend.