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传统中国绘画的空间表现对透视有一定的认识,但这又不同于西方描绘景物的透视,画家采用散点透视从画面整体,有节奏地决定各部分,组织各部分。从散点透视在中国画中形成的原因,及在传统中国画中所表现出来的“咫尺千里”“层次、虚实”“情景交融”境界作了深刻的论述,引用例子与佐证进一步对散点透视在传统中国画中的表现出来的境界作了说明。
The traditional Chinese painting has some perspective on the perspective of the perspective. However, this is different from the perspective of the West in depicting the scenery. The artist uses scattered perspective to determine the various parts and organize various sections rhythmically from the whole picture. From the perspective of scattered perspective in the formation of Chinese painting in the reason, and in the traditional Chinese painting shown in the “Trinidad thousands of miles” “level, actual situation ” “scene blending ” state made a profound exposition, citing examples and evidence This paper further illustrates the state of scattered perspective in traditional Chinese painting.