我总会不自觉地将人与他(她)的画作自然地联系在一起。初次见到张平静是在一次画展上,那天人很多,见到的作品也很多。一幅颜色极其浓艳繁复的戏曲人物画最是吸引我——画面上的三位古装女子,让人想起戏台上那演绎了无数风情传说的故事,而无关风月。那一刻,我的耳朵竟剥离掉现场的嘈杂声,隐约的咿呀婉转的昆曲唱腔飘进我的心里。蓦然间,见到一位女子从身旁走过,一袭素雅简单的长衫裙,娉婷袅娜,心中暗赞好一个“人淡如菊”。后来,我们渐渐熟悉,知道那幅作品即出自她手。 I always unconsciously associate people with his (her) paintings. Zhang Pingjing met for the first time in a painting exhibition, there were many people and many works to see. An extremely rich and colorful color figure painting is the most attractive to me - the three costumes on the screen, reminiscent of the stage that interpretation of the numerous stories of the legend, and has nothing to do with the moon. At that moment, my ears actually peeled off the noise of the scene, vaguely mild melody singing into my heart. Suddenly, I saw a woman walked from beside him, dressed in a plain simple gown, graceful Tingna, dark heart like a “person as light as daisy ”. Later, we became acquainted with the knowledge that the piece of work came from her hand.