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在娱乐至上的国产影市里,2015年,她以一部公益文艺片作为处女作,解释了一部电影与知识分子的社会责任之间的关系2015年春,电影新人彭三源携《失孤》登场,解释了一部电影与知识分子的社会责任之间的关系。《失孤》讲述一位父亲寻找被拐卖的儿子,十五年间,一直在路上,坚持不辍。“失”与“孤”之痛以一种克制的方式铺展开来,再度将“打拐”这一沉重的社会问题掷向公众,激起重重涟漪。这是一场冒险。如主演刘德华所言,“若我是资方,不会投给这部电影。”一部以打拐为主题的文艺
In the entertainment-orientated domestic movie market, in 2015 she took a charity film as a debut film to explain the relationship between a movie and intellectual responsibility. In the spring of 2015, filmmaker Peng Sanyuan brought “Lost and Found” Explain the relationship between a movie and the social responsibility of intellectuals. “Lost” tells a father looking for trafficked son, 15 years, has been on the road, persist. The pains of “losing” and “solitary” spread out in a restrained manner, once again throwing the heavy social problem of “crackdown” on the public and arousing great ripples. This is an adventure. As starring Andy Lau said, “If I am a management, will not vote for this movie. ” A crackdown on the theme of art