山口分泉法两山夹口处布置清泉,在古画中也甚为常见。此种布泉方式,多出现在整幅画面的中上部、中景或远景中。长泉于高峰间垂落,产生的声响感觉在画面中常被定为主要音色,这样的画面旋律多为响亮、明快、激昂的风格。画面其它景物形态,也应较为俊朗、挺拔,从而提升整幅画的气息。创作时,应先想象画面气息,在心中反复体味,使心境与画境相通,方可动笔。从山石布局到笔墨运用,尽量肯定、从容,一气呵成。 Yamaguchi points Quanquan two mountain cramps Qingquan layout, is also very common in ancient paintings. This kind of cloth spring way, appear in the upper part of the whole picture, middle or distant view. Changquan Falls in the peak, the sound produced in the picture is often defined as the main tone, such a picture of the melodies are mostly loud, bright, heated style. Other landscapes and forms should also be more handsome and upright, so as to enhance the whole picture. Creation, you should first imagine the breath of the picture, repeated in the hearts of the body, so that the mood and the picture interlinked, before moving. From the rock layout to the use of ink, try to be sure, calm, at one go.