上世纪90年代末,曾为申伟光的抽象绘画写过一篇评论,并把他的那些理性的“大管道”定义为“超验绘画”。此后的数年中,申伟光的画发生很大变化,抽象中充满了感性表现的因素,于是,我在2004年为他写的第二篇评论中把这些作品看做是他修炼中“漫长艰难的精神苦旅的见证”。一晃又七八年过去,伟光又一批作品呈现在我的面前,这些作品较之于过去又有全新的进展,色彩明丽光艳,线条飞动畅达,大有“柳喑花明又一村”的感觉。这些作品预示着画家内心的精神修炼全然进入了一个新的境界,与新世纪最初几年的作品几近天壤之别。我曾这样描写那些作品:“这些神秘 In the late 1990s, he wrote a review of Shen Weiguang’s abstract painting and defined his rational ”big pipes“ as ”transcendental paintings.“ In the ensuing years, there has been a great change in Shen Weiguang’s painting. The abstract is full of elements of perceptual performance. Therefore, in the second commentary he wrote in 2004, I saw these works as long Testimony of difficult spiritual hardship ”. In a flash and in the past seven or eight years, another series of works by Weiguang was presented to me. These works are more beautiful than the past. The color is bright and bright, and the lines fly freely. Village “feeling. These works indicate that the artist’s inner spiritual cultivation has completely entered into a new realm that is quite different from the works of the early years of the new century. I have described these works like this: ”These mysteries