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在今日热闹的建筑界,在混杂着忠诚、赞赏、抱怨、冷漠的气氛中探求与中国建筑创作有关的诸多问题时,我们是否不该忘记建筑师自身的创造力问题。建筑师的创造力与什么有关?创造力构成基础是什么?无疑,四年大学或再加上三年研究生课程学习,十年、二十年的设计院“趴图板”的经验,多年潜心于中外建筑创作理论的研究,或几番出国“参师”、“开眼界”等等,均构成创造力基础。但这种基础的构成对于人类生活生存、喜怒哀乐均感兴趣的建筑师而言够么?看历史,一些成功的建筑师的创作生涯总要植根于他的创作哲学之中,而创作哲学形成决不仅仅依赖于学校和书本知识积累,而在很大程度上是由建筑师所处的环境、从幼年就开始丰厚起来的生活经历所决定。这一点已为包括莱特、阿尔托等在内的知名建筑师乐于承认。世上哪本书最生动、最耐久、对创造力最有启发性而建筑师最应该读?应该是生活!从这段不算很新鲜的莱特对故乡威斯康星的热爱之情的文学表白中,我们能想点什么过去不多想到或许正缺乏的东西?而这东西与创造力紧密相关。
In today’s lively architectural world, in the atmosphere of loyalty, admiration, grievance and indifference, we must not forget the problem of the architect’s own creativity when we are exploring many issues related to Chinese architectural creation. What does the creativity of an architect relate to? What is the basis of creativity? Undoubtedly, four years of college or three years of postgraduate studies, ten years and twenty years of experience in designing a “drawing board”, for many years The study of architectural creation theory in Chinese and foreign countries, or several times abroad “participants”, “open eyes” and so on, all constitute the basis for creativity. But this basic composition is enough for architects who are interested in the survival and joy of human life. Looking at history, some successful architects’ careers are always rooted in his creative philosophy. The formation of philosophy is not only dependent on the accumulation of knowledge in schools and books, but is largely determined by the environment in which the architects lived, and the life experiences that have been abundant since childhood. This point has been accepted by well-known architects including Wright and Alto. Which book in the world is the most lively and durable, the most inspiring for creativity, and the architect should read it most? It should be life! From this not-too-clear Wright’s love for his hometown of Wisconsin. Can you think of something you didn’t think of in the past? Perhaps this thing is closely related to creativity.