综观当代书坛,真可谓是热闹非凡。然而,当我们稍微冷静的观察一番,就不难发现其中有多点的冷寂之处。的确,就拿现在的创作态势来说,当前的书法理论与创作实践如果相对应一下,就可明显的感觉到,有些书家对书法理论的运用与掌握,很大程度上要远远落后于实践,这在当代书坛应当说是一件很可悲的事情。学过自然辩证法的人都知道,世界上任何事物的发展与变化,都是离不开理论的指导,这样实践起来理应发挥更大的作用。对于这一点,让我感觉到:一、在当代书法领域里所掀起的又一轮高潮的时刻,书法创作实践再一次向理论提出了一系列急需解答的问题,如书法的本质和功能,内容与形式, Looking at the contemporary book, it can be described as bustling. However, when we look at it with a little bit of calmness, it is not hard to find out how cold it is. Indeed, taking the present situation of creation, if we compare the current calligraphy theory with the creative practice, we can obviously feel that some calligraphers have to a great extent lagged behind the application and mastery of calligraphy theory Practice, which should be said in the contemporary book is a very sad thing. Anyone who has studied natural dialectics knows that the development and changes of anything in the world are inseparable from the guidance of the theory and that this should actually play a greater role in practice. For this, let me feel: First, in the field of contemporary calligraphy set off another round of climax moment, calligraphy practice once again to the theory put forward a series of urgent problems, such as the nature and function of calligraphy, content And form,