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沈周早期的作品,多为细密幽深一路。到了中期,广泛学习各家画法,逐渐形成了自己的“粗沈”面貌。尤其是在50岁左右,开始学习北宋大书法家黄庭坚的书体,其花鸟画则呈现写意、墨骨写生、勾花点叶等多种风貌。真正具有文人儒雅风韵的沈周,水墨写意花卉有着独到的观察角度和个人体验。在其写生册中所表现的主观理念,笔法墨法的肯定,纸和绢素成了他的艺术表现舞台。具体地说,在他山水画里,前景、中景常常是最重要的主体表现部分,远山不仅仅单纯显示高远,还起到遮挡视线的呼应作用。沈周的绘画成熟期是在1480年。其代表作《十四夜月图》画卷后题诗二首,诗与画
Early Shen Zhou works, mostly dense and deep all the way. In the medium term, he studied various painting methods extensively and gradually formed his own “dull” appearance. Especially at the age of 50, he started to study the book style of Huang Tingjian, a great calligrapher in the Northern Song Dynasty. Shen Zhou, who truly has the charm of literati, has unique observation angles and personal experiences in ink and wash of flowers. His subjective ideas expressed in his sketchbook, the affirmation of brushwork and ink, and his work on paper have become his performance stage. Specifically, in his landscape paintings, the foreground and the middle of the landscape are often the most important part of the main performance. The distant mountains not only show lofty but also echo the obscure sight. Shen Zhou’s painting matures in 1480. His masterpiece “Fourteen Night Moon” scroll after the title of the first two poems and paintings