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后9·11小说《路》乃科马克·麦卡锡之后启示作品,它沿袭末世题材,却独具艺术特色。麦卡锡在小说中真实呈现末日后之荒原景象,以启示录寓言揭示人类面临的残酷的现实处境,从而唤醒人们之危机意识与忧患意识;他书写末日浩劫后的人性变异如暴力、猎杀和食人,揭开潜藏于悲伤与恐惧下之黑色河床;而其笔下末日后之死亡世界却揭示出蕴含其中的后启示意蕴:末日灾难即天启之肇始,亦即拯救与永恒至福时代之开端。麦卡锡对荒芜、邪恶与死亡之描写,旨在揭示人类面对世界末日时之集体恐慌与生存焦虑,体现其对人类生存现状与社会问题之关注、对人性之思考及救赎的人文情怀,为探询人类之生存提供一种后启示意义。
After the 9 · 11 novel “Road” is inspired by the works of McCarthy McCarthy, which follows the theme of the end, but unique artistic features. In the novel, McCarthy truly presents the scene of the last days of the wasteland, revealing the ruthlessness of mankind by revealing the allegory of apocalypse so as to awaken people’s sense of crisis and sense of urgency. He wrote human variability such as violence, hunting and cannibalism after the end of the catastrophe , Revealing the hidden black river bed lurking in the sadness and fear. The final death world reveals the post-apocalyptic implication: the doom disaster is the beginning of apocalypse, that is, the beginning of the era of salvation and eternal blessing. McCarthy’s depiction of barrenness, evil and death aims at revealing the anxiety of collective panic and existence faced by mankind in the end of the world, reflecting his concerns about the status quo and social issues of humankind, thinking about human nature and humanity in redemption, Human existence provides a post-apocalyptic meaning.