以宏观的视野看待剧作的主题,剧作家的世界观也随之不断变化着,在不断经历着改变的同时,剧作家对整个人类状况的认识也在不断扩大和加深。剧作家必须通过选择、修饰、增加或删减或改编来向这些素材妥协,从而达成共识。在戏剧领域,必须通过人物性格和戏剧情节来达到这一目的。当剧作家向剧中人物妥协时,实际上已经改变了——尤其是他的世界观。因此,不仅戏剧人物在改变,剧作改变了观众;剧作者本身,也为戏剧所改变着。 With a macroscopic view on the theme of the play, the dramatist’s outlook on the world is also constantly changing. While constantly undergoing changes, the dramatist’s understanding of the entire human condition is also constantly expanding and deepening. Playwrights must agree, by choosing, modifying, adding or subtracting, or adapting, to compromise these materials. In the field of theater, this must be achieved through character and drama. When dramatists compromise the characters, they have actually changed - especially his worldview. Therefore, not only the dramatis personae is changing, the dramas change the spectators; the dramatists themselves are also changed for the theater.